The double collaboration arises from the hidden human need to conceive art from the outside to the inside, from primitive to abstract. The mere judgment of the dress, which remains detached from the content, can become
G-Design® @ CLOS Winebar “Cent'Anni Futuristi” - Exhibition
To celebrate the centenary of the Futurist Manifesto proclaimed in 1909 by FT Marinetti, the most appropriate way to recognize that generation of innovators, the parental authority of the most versatile
Marcello Ghirardi - G-Design® / The architect and his condition
We consider a priori architecture as a niche art and the figure of the architect as a frivolous artist who realizes his own design suggestions regardless of the external yardstick.
From this first superficial reading, it is clear that architecture is nothing more than building and that the architect is a sort of painter who paints the building on a neutral background, that is, unconditional from the pre-existing ones.
Imagine having in front of you, an architect, who to carry out a project, paints on a canvas still intact. With an indiscreet eye, don't you dare ask what she is doing, an artist should not be disturbed while she works; so wait for the work to be done. Once the work is finished, the artist with profound pride shows you the project: shapes and shapes that you do not understand but which, for the architect, represent a beautiful and different vision, precisely that diversity that, winking at you, intrigues the recipient of the work.
The architecture, however, is not this, not behind forms suggested by a beautiful self.