Chair painted color steel design Xavier Pauchard for Tolix


The chair A Tolix went through eras and styles to become a classic written in the collective memory.



The fabulous destiny of "Paucharde"! Icon of industrial design for almost a century, the chair of A Tolix went through periods and styles to become a classic written in the collective memory. Its popularity since 1934 led her to become part of the collections of the Vitra Design Museum, the MoMA and the Centre Pompidou ... A final consecration and international recognition for this "living heritage" that illustrates the art of French living. Incarnation of the modern style of the years 30-50, A chair was set for its solidity and its great lightness. Stackable, perfectly meets the needs of rationalization of space. Its refined aesthetics and its great features make them discover a prestigious career success aboard the ocean liner Normandie in 1935, the chair Tolix also populates the spaces Exposition Internationale des Arts et Techniques in 1937. It is located on terrezze many outdoor cafes, before entering the private sphere of the years' 50. Symbolic and democratic, the metal chair Tolix marks a significant milestone in the history of design. All credit goes to its designer Xavier Pauchard that used for the first time pressed steel and zinc for the production of mass-produced furniture. The Tolix chair becomes the first chair French industrialist. Today, the company has acquired high-performance digital cameras that accompany many manual tasks and the tools inherited from history. Each chair comes dall'atelier is unique and signature Tolix is ​​stamped into the metal. E 'with genuine recognition that Tolix received in 2006, the label of "Company of Living Heritage" awarded by the Ministry of Economy, Finance and Industry. Made of sheet steel with raw varnish brilliant, this chair A is not galvanized and can not be used outdoors. For indoor / outdoor use, it is necessary to focus on the model with galvanized paint colorless. In this version with transparent varnish, the bonding points are deliberately visible to communicate idea artisan and highlight the aesthetics of the crude product. Only internal - Stackable up to 8 chairs - Figure in the collections of the Vitra Design Museum, de MoMA and the Centre Pompidou - First French industrial chair

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