Giulio Iacchetti

Considered as one of the best designers capable of interpreting the transition between the old and the new generation, Giulio Iacchetti, after a period at the Faculty of Architecture, then arrives at a Design School of the Lombardy Region, where he finds his ideal context.

Giulio Iacchetti

While inspired by the great tradition of Italian masters, such as Castiglioni e Mari, his creativity materializes in the production of useful objects, which consider aesthetics not a superfluous aspect, but an essential component of the project.

The technique combined with beauty thus becomes a fundamental presupposition of his work, centered on carefully studied design phases.
One of the characteristics that Iacchetti is most fond of is the possibility of having multiple visions of a single theme, based on a constructive interpersonal dialogue.

Focused on the belief that Italy is the cradle of the civilization of design, his ideas are inspired by a profound humanistic dimension that presupposes any design skill.

An anti-elite designer par excellence, Giulio Iacchetti believes that his mission is to design objects that can be used by as many people as possible, even with a view to improving their aesthetic tastes.

A design at the service of those who use its products therefore becomes the main purpose to be followed, trying to constructively interpret the individual needs.

In addition to industrial and large-scale design, Iacchetti likes to try his hand at experiments, such as that relating to uselessness, which allowed him to create the Knives Collection or the Ossi / Ossimori Project, in order to reaffirm the plastic value of objects.