What I have called Renderissement is the art of creating pictorial images with the exclusive help of modeling / rendering software 3D.
These software commonly used in architecture and design for the restitution photo-realistic objects in our case is used for the production of photo-unrealistic visions.
Use inverted, playful and charming.
But contrary to what one might believe, the art that comes out is much closer to the classical painting to digital. As classical painting is figurative in fact, it requires the study of bodies, geometry and proportions.
The artist is forced to understand and draw the object in its three dimensions, so in a sense it sculpts, designs and place the lights, the background and the environment that surrounds him.
This is the most complex part, technique and calculated the creative act and it is not one in which the software helps you more.
This is where the software is, in fact, is irreplaceable in its ease to make you commit the unexpected error.
A new proverb says that wrongly invents (Gianni Rodari, The grammar of fantasy) and it is error, in all its exceptions, which feeds this art; perfect object in the wrong place, the inconsistent light reflections, of the combination of two incompatible objects, the misleading material, in short, an inexhaustible range of errors to commit or discover.
The art is then nell'ingegnarsi to lead the software effect misconception liked and well known, somehow familiar, distinctive, or to experiment with new optical typos and pursue them.
Born, to want to coin, a kind of hyperrealism industrial, surreal, digital, a transition between design and art.
You can find the diplomacy in the books.
You can find the diplomacy on paper.
You can find the diplomacy shake hands.
You can find the diplomacy of the food front.
In a phone call. You can find it in the songs.
You can find the diplomacy in your mind.
Where you can not find the diplomacy is in a refugee camp.
Or in a mass grave.
Incoherently: you should.
(Specific text by Andrea Milluzzi, reporters from Iran and Iraq, text editor of the International Festival Cortona On The Move)
Diplomacy today represented as a ridiculous and ill-equipped tank to move, as forced to walk on eggshells.